At sixteen, James Gibson hit the Ottawa music scene as a singer-songwriter. Veterans who caught him at open mics passed his name along, and the introductions went places: Shannon Murray Mead at Raven Street Studios, where he cut his first single; Nixon Boyd, who produced the Million Degrees EP; and eventually TARA, where he took his diploma in audio engineering. By 2024 he was a Capital Music Awards nominee for Newcomer of the Year.
For four years it's been a collective of good luck, better people, and an experience that couldn't be replicated. Caber Studios is just the infrastructure that had to follow. When a poster needed a name for all of it? The Hummingbirds. It's how we refer to the friends of this studio, and to the journey that got James here.
The arrangement underneath all of it is simple. Artists control their art. The label helps them leverage it.
The configuration changes with the room and the material. Sometimes a trio, sometimes more. Players are credited by appearance. There is no member list, because there are no members.
Credits are added after each night, not before.
Not signed, not staff. Musicians and makers we share rooms and stages with around Ottawa, who wear the mark because the work is good, not because anyone told them to.